ANF in the Press
Keep up with all things Africa No Filter. This is us in the world.
Africa No Filter and Meta announce a new fund to improve Virtual Reality in Africa’s storytelling
Africa No Filter, a narrative change organisation, and Meta have announced a partnership to launch “Future Africa: Telling Stories, Building Worlds” program, aimed at boosting the use of Virtual Reality in Africa’s storytelling.
Do we have what it takes to be One Africa?
Although Africans have more in common with each other than differences, the real dream of a One Africa, as envisaged by Kwame Nkrumah, remains elusive. Why is this? asks Moky Makura
How not to write about an African election
By the end of 2021, 13 African countries would have held presidential elections. That's 13 different opportunities for global media to paint the same story of rigged and, in some cases, violent elections that have become the single story of democracy in Africa.
Decolonising aid is not supposed to be easy
Are funders really prepared to put in the work to shift the balance of power when it comes to their giving on the continent? I am not totally convinced.
Who is to blame for vaccine inequality?
Who is to blame for the vaccine inequality that has pushed Africa to the back of the queue? The answers are not so obvious as they first seem, says Moky Makura.
New handbook outlines how to write about Africa for development community
How to write about Africa: A new handbook provides eight steps for the development community to share their work on the continent more ethically.
Here are some of the platforms that showcased the launch of the report.
Africa No Filter bird, Africa No Filter’s story agency, goes live
Africa No Filter (ANF), the not-for-profit organisation focused on narrative change, has launched bird, Africa’s first, optimized-for-mobile, story agency designed to shift narratives about and within the continent.
Why ‘Coming 2 America’ Only Delivers Hollywood’s Version of Africa
The fictional country of Zamunda is a mixed bag of persistent stereotypes about African poverty, disease, conflict, poor leadership and hypersexual women who lack agency, all coated in Eddie Murphy’s brand of slapstick comedy that uses negative stereotypes to get easy laughs. It doesn’t add much nuance or context to the continent’s story, but it does put Africa front and center on a global stage.